Bachelard, Gaston. The Poetics of Space. Boston: Beacon Press, 1994.

Baker, Kenneth. Minimalism. Art of Circumstance. New York: Abbeville Press, 1988.

Battock, Gregory, ed. Minimal Art. A Critical Anthology. New York: E.P. Dutton & Co. Inc., 1968.

Bhabha, Homi. Location of Culture. New York: Routledge, 1994.

Chambers, Erve and Setha Low, eds. Housing, Culture and Design. Philadelphia: University of Pennsylvania Press, 1989.

Gillick, Liam and Andrew Renton, eds. Technique Anglaise. Current Trends in British Art. London: Thames and Hudson, 1991.

Lingwood, James, ed. house.(sic) London: Phaidon, 1995.

Massey, Doreen. Space, Place and Gender. Minneapolis: University of Minnesota Press, 1994.

Nairne, Sandy and Nicholas Serota. British Sculpture in the Twentieth Century. London: Whitechapel Art Gallery, 1981.

Neff, Terry, ed. A Quiet Revolution: British Sculpture since 1965. London: Thames and Hudson, 1987.

Sampson, Anthony. The Essential Anatomy of Britain. Democracy in Crisis. New York:Harcourt Brace and Company, 1993.

Senie, Harriet. Contemporary Public Sculpture: Tradition, Transformation and Controversy. New York: Oxford University Press, 1992.


Periodical Literature
Archer, Michael. "Ghost Meat." Artscribe 87 (Summer 1991): 35-38.

Attias, Laurie. "Austria chooses Whiteread Memorial." ARTnews 95 (June 1996): 76.

Buck, Louisa. "Returns on the Turner Prize." Art Monthly 152 (December 1991): 2.

----. "Rachel Whiteread's Space Craft." Connoisseur 221 (December 1991): 109.

----. "Casting About." Harper's Bazaar 3391 (June 1994): 57-58.

Chitty, Miranda. "House." Architectural Review 194 (January 1994): 13.

Cooke, Lynn. "Casting an eye." Flash Art 133 (April 1987): 96-97.

Cork, Richard. "Site Reading. British Art in Public Spaces." Art in America 75 (September 1987): 144-151.

Criqui, Jean-Pierre. "Rachel Whiteread-Kunsthalle, Basel." Artforum 33 (November1994): 82-83.

Fairbrother, Trevor. "Whiteread's Ghost." Parkett 42 (1994): 90-94.

Feaver, William. "Artangel Trust, London." ARTnews 93 (March 1994): 198.

Hubbard, Sue. "The colour of memory." New Statesman and Society (November 12,1993): 33-34.

Kramer, Hilton. "Turner Prize Follies." Art and Antiques 15 (February 1993): 82-83.

Morgan, Stuart. "Rachel Whiteread. ARTnews 92 (November 1993): 127-128.

Nixon, Mignon. "Bad Enough Mother." October 71 (Winter 1995): 71-92.

Overy, Paul. "The Britishness of Sculpture." Studio International 200 (November 1987): 8-13.

"Lions and unicorns: the Britishness of postwar British Sculpture." Art in America 79 (September 1991): 104-111.

Princenthal, Nancy. "All that is solid." Art in America 88 (July 1995): 52-57.

Sawyer, Miranda. "But is it art?" Select 44 (February 1994): 4-5.

Schmitz, Rudolf. "The Curbed Monumentality of the Invisible." Parkett 42 (1994): 100-103.

Shone, Richard. "Rachel Whiteread's House." Burlington Magazine 135 (December 1993): 837.

Wakefield, Neville. "Rachel Whiteread: Separation Anxiety and the Art of Release." Parkett 42 (1994): 76-82.

Watney, Simon. "About the HOUSE." Parkett 42 (1994): 104-107.

Zwinge, Erla. "Docklands. London's New Frontier." National Geographic 180

(July 1991): 32-59.

Barber, Lynn. "House Calls." Sunday Times (London) 5 December 1993, (Style & Travel), 2.

Barnes, Rachel. "No more house work." Guardian (London) 18 April 1995, 28.

"Britain fails homeless." Times (London) 7 October 1992, 2.

Collings, Matthew. "The art of prize fighting." Guardian (London) 28 November 1995, 2-3 (2).

"Docklands Embarrassment." Times (London) 6 September 1991, 17.

Dorment, Richard. "Disturbing symbols of death." Daily Telegraph (London) 11 March 1992, 22.

Graham-Dixon, Andrew. "This is the house that Rachel built." Independent (London)

2 November 1993, 25.

Graham-Dixon, Andrew. "Artless earthmover finally brings the House down." Independent

(London) 12 January 1994, 8.

Hubbard, Francis. "Has taking us for a cultural ride become a new art form, or are we just a bunch of yobbos?" Daily Express (London) 26 November 1993, 46.

Hunt, Robin. "The House that Rachel built." Guardian (London) 17 November 1993, 8 (2).

Kimmelman, Michael. "Turning things inside out." New York Times 5 February 1995, 1 (B).

Kloster, Ulla. "If that's art then I'm Leonardo da Vinci!" East London Advertiser 4 November 1993, 15.

McEwen, John. "The House that Rachel Unbuilt." Sunday Telegraph (London) 24 October 1993, (Review), 6.

Mouland, Bill. "Disaster in plaster." Daily Mail (London) 24 November 1993, 7.

Olins, Rufus. "Docklands seek safe harbour." Times (London) 16 June 1991, 4, (4).

Sewell, Brian. "Tate and bile." Sunday Express (London) 21 November 1993, 23.

Smith, Roberta. "The best of sculptors, the worst of sculptors." New York Times 30 November 1993, 15 (C).

Exhibition Catalogues
Doubletake: Collective Memory and Current Art: Hayward Gallery, London, February 20-April 20, 1992. London: The South Bank Centre, 1992.

Rachel Whiteread. Basel: Kunsthalle, Basel, 1994.

Rachel Whiteread Escultures. Barcelona: Sala Moncada de la Fundacio "La Caixa", 1992.

Rachel Whiteread Gouachen. Stuttgart: Cantz, 1993

Zevelansky, Lynn. Sense and Sensibility: Women Artists and Minimalism in the Nineties. New York: Museum of Modern Art, 1994.