Bibliography  

 

Boltanski, L., Thévenot, L., De la justification. Les économies de la grandeur, 1991, Paris, Éditions Gallimard

 

Bourdieu, P., La production de la croyance: contribution à une économie des biens symboliques,  in Actes de la recherche en sciences sociales, 13, 1977

 

Certeau (de), M., The practice of everyday life, 1984, Berkeley, Los Angeles and London, University of California Press

 

Czarniawska, B., Narrating the Organisation. Dramas of Institutional Identity, 1997,  Chicago, London, The University of Chicago Press

 

Foucault, M., Aesthetics. Essential works of Foucault. 1954-1984, 1998, London, Penguin Press

 

Gielen, P., La Mort d¹un Curateur Etoile, in Belcaen B., Wouter Davidts, Dieter De Clercq, Lieven de Boeck en Tijl Vanmeirhaeghe (red.), B-sites. A propos de la Place d¹un Centre d¹Art et de Recherce à Bruxelles, 2000, Bruxelles: Bruxelles 2000.

 

Gielen, P., Lobbyeske kunst. Over de agendaman en andere onmoderne Smurfen, in: Gielen, P. en K. Tachelet (red.), Kunst, Markt & Macht, 2001, Brussel: Vlaams Theaterinstituut.

 

Gomart, E., Hennion, A., A sociology of attachment: music amateurs, drug users, in Law, J., Hassard, J. (ed.), Actor Network Theory and after, 1999, Oxford and Malden, Blackwell, pp. 220-247

 

Heinich, N., La Gloire de Van Gogh. Essai d¹anthropologie de l¹admiration, 1991, Paris, Éditions de Minuit

 

Heinich, N., Du Peintre a l¹artiste. Artisans et académiciens a l¹age classique, 1993, Paris, Éditions de Minuit

 

Hetherington, K., The badlands of modernity. Heterotopia & Social Ordering, 1997, London, New York, Routledge

 

Hetherington, K., From Blindness to Blindness: museums, heterogeneity and the subject, in Law, J. and Hassard, J. (ed.), Actor Network Theory and after, 1999, Oxford, Malden, Blackwell, pp. 51-73

 

Laermans, R., Moderne kunst en moderne maatschappij. Luhmanns kunsttheoretische observaties geobserveerd, in De Witte Raaf, 12, 1998, nr. 74, pp. 20-23

 

Latour, B., Wij zijn nooit modern geweest. Pleidooi voor een symmetrische antropologie, 1994, Amsterdam, Van Gennep

 

Latour, B., De Berlijnse sleutel en andere lessen van een liefhebber van wetenschap en techniek, 1997, Amsterdam, Van Gennep

 

Latour, B., On recalling ANT, in Law, J. and Hassard, J. (ed.), Actor Network Theory and after, 1999, Oxford, Malden, Blackwell, pp. 15-25

 

Law, J., The Heterogeneity of Texts, in Callon, M. Law, J. Rip, A. (ed.), Mapping the dynamics of science and technology. Sociology of Science in the Real World, 1986b, Hampshire, London, The MacMillan Press Ltd, pp. 67-83

 

Law, J., Hassard, J. (ed.), Actor Network Theory and after, 1999, Oxford, Malden, Blackwell

 

Law, J., After ANT: complexity, naming and topology, in: Law, J., Hassard, J. (ed.), Actor Network Theory and after, 1999, Oxford ,Malden, Blackwell, pp. 1-15

 

Lee, N., Stenner, P., Who Pays? Can we pay them back?, in Law, J., Hassard, J. (ed.), Actor Network Theory and after, 1999, Oxford, Malden, Blackwell, pp. 90-112

 

Luhmann, N., Die Kunst der Gesellschaft, 1995, Frankfurt, Suhrkamp Verlag

 

Luhmann, N., Ausdifferenzierung der Kunst, in Institut für soziale Gegenwartsfragen Freiburg I. Br. und Kunstraum Wien (ed.), Art & Language & Luhmann, 1997a, Wien, Passagen Verlag, pp. 133-148 

 

Luhmann, N., Die Autonomie der Kunst, in Institut für soziale Gegenwartsfragen Freiburg I. Br. und Kunstraum Wien (ed.), Art & Language & Luhmann, Wien, Passagen Verlag, 1997b, pp. 177-190 

 

Manfredi, J., The Social Limits of Art, Amherst, 1982, Cambridge, the University of Massachusetts Press

 

Pistoletto, M., L¹homme noir, le côté supportable, 1970, Paris, Ecole Nationale Supérieure des Beaux-Arts

 

Pistoletto, M., A Minus Artist, 1988, Firenze, Hopefulmonster

 

Serafini, G., Pistoletto Codice Inverso, 2001, Città di Castello

 

Urry, J., Sociology beyond societies. Mobilities for the twenty-first century, 2000, London, New York, Routledge